Born 1962 in Philadelphia. Lives and works in New York.

EDUCATION

1986, M.F.A., Yale University School of Art, New Haven, Connecticut

1984, B.F.A., Tyler School of Art, Temple University, Philadelphia

1982, Temple Abroad, Tyler School of Art, Rome

SOLO EXHIBITIONS

2018

New Paintings

Lisa Yuskavage: Babie Brood, Small Paintings 1985-2018

2011

Lisa Yuskavage, David Zwirner, New York

Lisa Yuskavage: Tragic Land

SELECTED GROUP EXHIBITIONS

2025

Circa 1995: New Figuration in New York, David Zwirner, New York

Behind the Bedroom Door, James Cohan

The Woman Question: Artists and Agencies 1550-2025, Museum of Modern Art, Warsaw

2024

Everyone Loves Picabia, David Lewis Gallery, New York

In Print: Universal Limited Art Editions, The Museum of Fine Arts, Houston

David Zwirner: 30 Years, David Zwirner, Los Angeles

The Infinite Woman, Villa Carmignac, Fondation Carmignac, Porquerolles Island, France

Dog Days of Summer, Timothy Taylor, New York

Couples Squared, Southampton Arts Center, Southampton, NY

Are You Joking? Women & Humor, The Church, Sag Harbor, NY

In the House of the Trembling Eye: an exhibition staged by Allison Katz, Aspen Art Museum, Aspen, CO

Edge Condition, Fine Arts Work Center, Provincetown, MA

2023

In New York, Thinking of You – Part I, FLAG Art Foundation, New York

Your Gaze: Selections from The Karpidas Collection, Karpidas Collection, Dallas, TX

50 Paintings, Milwaukee Art Museum, Milwakee WI

2022

Singing in Unison, Scully-Tomasko Foundation, New York

Women Painting Women, Modern Art Museum of Fort Worth, Fort Worth, TX

What’s Going On, Rubell Museum, Washington, D.C.

Competere, Bo Bartlett Center, Columbus, GA

Artists Inspired by Music: Interscope Reimagined, Los Angeles County Museum of Art

2021

New to the Collection, Rhode Island School of Art and Design Museum

and I will wear you in my heart of heart, FLAG Art Foundation, New York

The Real World, David Zwirner, Hong Kong

Knowledge of the Past Is the Key to the Future, Metropolitan Museum of Art

The Remaking of Myths and Tales: Selections from the Prints & Drawings Collection, Museum of Fine Arts, Houston

2020

All of Them Witches, Jeffrey Deitch, Los Angeles

Life During Wartime: Art in the Age of Coronavirus, University of South Florida Contemporary Art Museum [online only]

I See You, Victoria Miro [online only]

(Nothing but) Flowers, Karma, New York

Drawing 2020, Gladstone Gallery, New York

20/20, David Zwirner, New York

2019

Artists Need to Create on the Same Scale that Society Has the Capacity to Destroy: Mare Nostrum, Chiesa di Santa Maria delle Penitenti, Venice

They Gaze, James Fuentes, New York

DAS KOLLEGIUM, Graphics Foundation Neo Rauch, Aschersleben, Germany

Singing the Body Electric, David Zwirner, Hong Kong

Trouble in Paradise: Rattan Chadha Collection, Kunsthal Rotterdam, Rotterdam, Netherlands

2018

David Zwirner: 25 Years, David Zwirner, New York

Endless Enigma: Eight Centuries of Fantastic Art, David Zwirner, New York

SEED, Paul Kasmin Gallery, New York

The Female Touch, Gemeentemuseum, Den Haag, Netherlands

2017

Hope and Hazard: A Comedy of Eros, Hall Art Foundation, Reading, Vermont

2016

First Light: A Decade of Collecting at the ICA, Institute of Contemporary Art, Boston, Boston Massachusetts

Hey You! ~ Who Me?!, 32u00a0Edgewood Gallery, Yale School of Art,u00a0New Haven, Connecticut

MORE Than Words, Westport Arts Center, Westport, Connecticut

SHE: International Women Artists Exhibition, The Long Museum, Shanghai, China

Transactions, The Knockdown Center,u00a0Maspeth, New York

2015

Collection in Focus, The Rose Art Museum, Brandeis University,u00a0Waltham, Massachusetts

Intimacy in Discourse: Unreasonable Sized Paintings, Mana Contemporary and the School of Visual Arts, New York

NO MAN’S LAND: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami

Print Up Ladies, Islip Art Museum, East Islip, New York

Studio Guenzani, Milano 1986-2015: Molto-Tutto, Studio Guenzani, Milan

The Art of Our Time, Museum of Contemporary Art, Los Angeles

True Monotypes, International Print Center New York

Unrealism, The Moore Building, Miami Design District, Miami

2014

Disturbing Innocence, The FLAG Art Foundation, New York , [catalogue]

Hidden and Revealed: Representations of Women by Women, Angles Gallery, Los Angeles

Love Story –The Anne and Wolfgang Titze Collection, Winter Palace and 21er Haus, Belvedere,Vienna , [catalogue]

Nude, Gemeentemuseum, The Hague

Queensize – Female Artists from the Olbricht Collection, me Collectors Room/Stiftung Olbricht, Berlin

SHE: Picturing women at the turn of the 21st century, David Winton Bell Gallery, Brownu00a0University, Providence, Rhode Island

Somos Libres II: Works from the Mario Testino Collection, Pinacoteca Giovanni e Marella Agnelli, Turin , [catalogue]

Spaced Out: Migration to the Interior, Red Bull Studios, New York

2013

Come Together: Surviving Sandy, Year 1, Industry City, Brooklyn , [catalogue published in 2015]

Expanding the Field of Painting, Institute of Contemporary Art, Boston

The Distaff Side, The Granary, Sharon, Connecticut , [catalogue published in 2014]

2012

Decade: Contemporary Collecting 2002-2012, Albright-Knox Art Gallery, Buffalo, New York , [catalogue]

Faces, Onassis Cultural Centre, Athens , [catalogue]

Haunting Narratives: Detours from Philadelphia Realism, 1935 to the Present, Woodmere Art Museum, Philadelphia , [catalogue]

New to the Print Collection: Matisse to Bourgeois, The Museum of Modern Art, New York

Pittura (1995-2009), Studio Guenzani, Milan

Print/Out, The Museum of Modern Art, New York

The Road Ahead, Roberts & Tilton, Culver City, California

2011

80 @ 80, pu Gallery of American Art, Phillips Academy, Andover, Massachusetts

American Exuberance, Rubell Family Collection, Miami , [catalogue]

Creating the New Century: Contemporary Art from the Dicke Collection, The Dayton Institute, Ohio , [catalogue]

Dublin Contemporary 2011: Terrible Beauty – Art, Crisis, Change & The Office of Non- Compliance, Earlsfort Terrace, Dublin , [online catalogue published in 2012]

Full Circle: The Evolution of Fine Art Printmaking at Universal Limited Art Editions, Gardiner Art Gallery, Oklahoma State University, Stillwater

Images from a Floating World: 18th and 19th Century Japanese Erotic Prints and the Echo in Modern and Contemporary Art, Fredericks & Freiser Gallery, New York

Legacy: Selections from Emily Fisher Landau’s Gift to the Whitney Museum of American Art, Fisher Landau Center for Art, Long Island City, New York

Mars vs. Venus: Images of Male and Female, Greg Kucera Gallery, Seattle

New York Prints of Mind: Prints from the Universal Limited Art Editions, Schweinfurth Memorial Art Center, Auburn, New York , [itinerary: Stone Quarry Hill Art Center, Cazenovia, New York]

NY: New Perspectives, Brand New Gallery, Milan

Sammler-Leidenschaft, Museum Stift Admont, Austria

Secret Societies, Schirn Kunsthalle, Frankfurt , [itinerary: Musu00e9e d'art contemporain de Bordeaux] [catalogue]

Universal Limited Art Editions, Aberson Exhibits, Tulsa , [itinerary: Hiram Butler Gallery, Houston, Texas]

2010

American Printmaking Now, National Art Museum of China, Beijing , [itinerary: Guan Shanyue Art Museum,u00a0Shenzhen, China; Zhejiang Art Museum, Hangzhou, China; Shanghai Art Museum]

Between Picture and Viewer: The Image in Contemporary Painting, Visual Arts Gallery, School of Visual Arts, New York , [catalogue]

Dirty Kunst, Seventeen, London

Face to Face, Museum of Contemporary Art, Denver

Hecate’s Lab, Senior & Shopmaker Gallery, New York

Multiple Pleasures: Functional Objects in Contemporary Art, Tanya Bonakdar Gallery, New York

Size Does Matter, The FLAG Art Foundation, New York , [catalogue]

The Library of Babel/In and Out of Place, Zabludowicz Collection, London , [catalogue]

Until Now: Collecting the New (1960-2010), Minneapolis Institute of Arts, Minnesota

You’ve Gone Too Far This Time, Faggionato Fine Arts, London

2009

30th Anniversary, Christopher Grimes Gallery, Santa Monica, California

Bad Habits, Albright-Knox Gallery, Buffalo, New York

Paint Made Flesh, The Frist Center for the Visual Arts, Nashville, Tennessee , [itinerary: The Phillips Collection, Washington, D.C.; Memorial Art Gallery, University of Rochester, New York] [catalogue]

Party at Chris’s House, Janet Kurnatowski Gallery, New York

Robert Rauschenberg and His Contemporaries: Recent Prints from Universal Limited Art Editions, Heckscher Museum of Art, Huntington, New York

Talk Dirty to Me…, Larissa Goldston Gallery, New York

The Female Gaze: Women Look at Women, Cheim & Read, New York

The Modern Wing, Art Institute of Chicago,u00a0Chicago

Universal Limited Art Editions: Then and Now, Greenfield Sacks Gallery, Santa Monica, California

Women: An Exhibition of Paintings and Sculptures on Loan from the Steven & Alexandra Cohen Collection, Sothebys,u00a0London

2008

826NYC Art Show –An Auction to Benefit Children’s Literacy, David Zwirner, New York

Attention to Detail, The FLAG Art Foundation, New York , [catalogue]

Bad Painting — good art, Museum Moderner Kunst Stiftung Ludwig Wien, Vienna , [catalogue]

Diana and Actaeon: The Forbidden Glimpse of the Naked Body/Diana und Actaeon: Der verbotene Blick auf die Nacktheit, Museum Kunstpalast, Du00fcsseldorf , [catalogue]

Eyes Wide Open: Acquisitions to the Stedelijk & The Monique Zajfen Collection, Stedelijk Museum, Amsterdam

Female Forms and Facets: Artwork by Women from 1975 to the Present, Central Connecticut State University Art Galleries, New Britain

The Gallery, David Zwirner, New York

Go for it! Olbricht Collection (a sequel), Weserburg Museum fu00fcr moderne Kunst, Bremen, Germany , [catalogue published in 2009]

Happy Vacation, Jane Kim/Thrust Projects, New York

Légende, Domaine du00e9partemental de Chamarande, France , [catalogue]

Out of Shape: Stylistic Distortions of the Human Form in Art from the Logan Collection, Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York , [catalogue]

Paint Made Flesh, The Frist Center for the Visual Arts,u00a0Nashville

Philadelphia Collects: Works on Paper, Delaware Center for Contemporary Arts, Wilmington

Weighing and Wanting: Selections from the Collection, Museum of Contemporary Art, San Diego, La Jolla, California

2007

Art in America: Three Hundred Years of Innovation, National Art Museum of China, Beijing (organized by the Solomon R. Guggenheim Foundation) , [itinerary: Shanghai Museum and Shanghai Museum of Contemporary Art; Pushkin Museum of Fine Arts, Moscow; Guggenheim Museum Bilbao] [catalogue]

Artist Collaborations: Fifty Years at Universal Limited Art Editions, The Museum of Modern Art, New York

Don’t Look: Contemporary Drawings from an Alumna’s Collection (Martina Yamin, Class of 1958), Davis Museum and Cultural Center, Wellesley College, Wellesley, Massachusetts , [catalogue]

the feminine mysterious, Red Dot Contemporary, West Palm Beach, Florida

In Flux, Ikon Ltd., Santa Monica, California

Important Modern and Contemporary Paintings Including Works from a Private European Collection, Archeus, London

Multiplex: Directions in Art 1970 to Now, The Museum of Modern Art, New York

Paper, Fisher Landau Center for Art, Long Island City, New York

The Present: The Monique Zajfen Collection, Stedelijk Museum, Amsterdam

ULAE: New Editions, Larissa Goldston Gallery, New York

2006

The Other Side #2. Radical Pursuits: Delights in the subversive and sublime, Tony Shafrazi Gallery, New York

Painting Codes. I codici della pittura, Galleria Comunale du2019Arte Contemporanea, Monfalcone, Italy , [catalogue]

People. Volti, corpi e segni contemporanei dalla collezione di Ernesto Esposito, Museo du2019Arte Contemporanea Donna Regina, Naples , [catalogue]

New Work

2005

Drawn Across the Century: Highlights from the Dillard Collection of Art on Paper, Gallery of Contemporary Art, University of Colorado Springs, Colorado

Girls on Film, Zwirner & Wirth, New York

Laguna’s Hidden Treasures: Art from Private Collections, Laguna Art Museum, Laguna Beach, California

“Post” and After: Contemporary Art from the Brandeis University Art Collection, The Rose Art Museum, Brandeis University, Waltham, Massachusetts

2004

The Charged Image: From the Collection of Douglas S. Cramer, Joseloff Gallery, University ofu00a0Hartford, Hartford, Connecticut

Group Show, Barbara Krakow Gallery, Boston

New Prints 2004/Spring, International Print Center, New York

The Print Show, Exit Art, New York

Seeing Other People, Marianne Boesky Gallery, New York

She’s Come Undone, Artemis Greenberg Van Doren, New York

Santa Fe 5th International Biennial: Disparities and Deformations, Our Grotesque, Santa Fe, New Mexico , [catalogue]

2003

de Kooning to Today: Highlights from the Permanent Collection, Whitney Museum of American Art, New York

Reverie: Works from the Collection of Douglas S. Cramer, The Speed Art Museum, Louisville, Kentucky , [catalogue]

Self Portraits: A Vogue Portfolio, Deitch Projects, New York

Skowhegan Faculty Exhibition, Institute of Contemporary Art, Maine College of Art, Portland

Stephen Greene: Painter and Teacher, Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts

Supernova: Art of the 1990s from the Logan Collection, San Francisco Museum of Modern Art , [catalogue]

Terrible Beauty, Roebling Hall, New York

Woman on woman, Whitebox Art Center, New York

2002

177thAnnual: An Invitational Exhibition, National Academy of Design, New York , [catalogue]

Fusion Cuisine, Deste Foundation for Contemporary Art, Athens , [catalogue]

Go Figure, LUXE, New York

New Prints 2002/Summer, International Print Center, New York

Visual Jury 2002 Exhibition, Fine Arts Work Center, Provincetown, Massachusetts

2001

Arte Contemporáneo Internacional, Museo de Arte Moderno, Mexico City , [catalogue]

Camera Works: The Photographic Impulse in Contemporary Arts, Marianne Boesky Gallery, New York

Contemporary Collectors XVI, Museum of Contemporary Art San Diego, La Jolla, California

furor scribendi: Works on Paper, Angles Gallery, Santa Monica, California

Lateral Thinking, Art of the 1990s, Museum of Contemporary Art, San Diego, La Jolla, California , [catalogue]

Naked Since 1950, C&M Arts, New York , [catalogue]

Works on Paper from Acconci to Zittel, Victoria Miro Gallery, London

2000

Works on Paper 2000, American Ambassadoru2019s Residence, Bratislava , [catalogue]

00, Barbara Gladstone Gallery, New York , [catalogue]

46th Biennial Exhibition: Media/Metaphor, Corcoran Gallery of Art, Washington, D.C. , [online catalogue]

2000 Whitney Biennial, Whitney Museum of American Art, New York , [catalogue]

Drawn From Life, Marianne Boesky Gallery, New York

The Figure: Another Side of Modernism, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, New York , [catalogue]

Go Figure, Norfolk Public Library, Connecticut

Greater New York, P.S.1 Contemporary Art Center, Long Island City, New York , [catalogue]

Persona(l): Selections from the Robert J. Shiffler Collection, Grunwald Gallery of Art, Indiana University, Bloomington

A Plurality of Truths, Schick Art Gallery, Skidmore College, Saratoga Springs, New York , [catalogue]

Salon, Delfina Project Space, London

1999

6th Istanbul Biennial: The Passion and the Wave, Dolmabahu00e7e Cultural Center, Hagia Eireni Museum, and Yerebatan CisternIstanbul, Istanbul, Turkey , [catalogue]

Etcetera, Spacex Gallery, Los Angeles

Invitational Exhibition of Painting and Sculpture, American Academy of Arts and Letters, New York

Looking at Ourselves: Works by Women Artists from the Logan Collection, San Franciscou00a0Museum of Modern Art , [catalogue]

Negotiating Small Truths, Blanton Museum of Art, University of Texas at Austin , [catalogue]

The Nude in Contemporary Art, Aldrich Contemporary Art Museum, Ridgefield, Connecticut , [catalogue]

Spellbound, Karyn Lovegrove Gallery, Los Angeles

The Time of Our Lives, New Museum of Contemporary Art, New York , [catalogue]

1998

From Here to Eternity: Painting in 1998, Max Protetch Gallery, New York

Then and Now and Later

People, Places, and Things, Marianne Boesky Gallery, New York

Pop Surrealism, Aldrich Contemporary Art Museum, Ridgefield, Connecticut , [catalogue]

A Portrait of Our Times: An Introduction to the Logan Collection, San Francisco Museum of Modern Art , [catalogue]

Presumed Innocence, Anderson Gallery, Virginia Commonwealth University, Richmond , [itinerary: Contemporary Arts Center, Cincinnati] [catalogue]

The Risk of Existence, Phyllis Kind Gallery, New York

Young Americans 2, Saatchi Gallery, London , [catalogue]

1997

My Little Pretty: Images of Girls by Contemporary Women Artists, Museum of Contemporary Art Chicago , [catalogue]

The Name of the Place, Casey Kaplan, New York

Pictures, Patents, Monkeys, and More…On Collecting, Western Art Gallery, Western Washington University, Bellingham (organized by Independent Curators International) , [itinerary:u00a0John Michael Kohler Arts Center, Sheboygan, Wisconsin; Akron Art Museum, Ohio; South Bend Regional Museum, Indiana; Institute of Contemporary Art, University ofu00a0Pennsylvania, Philadelphia; Pittsburgh Center for the Arts] [catalogue]

Project Painting, Lehmann Maupin and Basilico Fine Arts, New York , [catalogue]

SLAD, apexart, New York

Women’s Work: Examining the Feminine in Contemporary Painting, Southeastern Center for Contemporary Art, Winston-Salem, North Carolina , [exhibition publication]

1996

Adicere Animos, Cesena-Cesenatico, Bologna , [catalogue]

Early Learning, L & R Entwistle Ltd., London

Heart’s Desire, Judy Ann Goldman, Boston

Inter-Mission, Basilico Fine Arts, New York

Norfolk ‘96, Yale University Summer School of Music and Art, Norfolk, Connecticut

Rome Selection: 30 Years of Tyler School of Art Temple/Rome Program, Tyler School of Art, Temple University, Philadelphia

The Tailor’s Dummy, Christopher Grimes Gallery, Santa Monica, California

What I did on my summer vacation, White Columns, New York

1995

Diverse Group/One Direction, apexart, New York , [catalogue]

Gang Warfare, The MacKinney Avenue Contemporary, Dallas

“Not Not (Who’s There?)”: Part III, E.S. Vandam, New York

An Offering to San Simon, Christopher Grimes Gallery, Santa Monica, California

On Beauty, Regina Gallery, Moscow , [catalogue]

The Portrait Now, Elga Wimmer Gallery, New York

Pittura/Immedia. Malerei in den 90e Jahren, Neue Galerie am Landesmuseum Joanneum and Ku00fcnstlerhaus, Graz , [itinerary: Mu0171csarnok Budapest] [catalogue]

Youth Culture Killed My Dog (But I Don’t Really Mind), Contemporary Arts Council, Chicago , [catalogue]

1994

Desire, Diffa Visionaire/Charles Cowles Gallery, New York

Don’t Postpone Joy or Collecting Can Be Fun, Neue Galerie am Landesmuseum Joanneum, Graz , [itinerary: Austrian Cultural Institute, New York]

I, Myself & Me, The Interart Center, New York

New Work, Galerie Johan Jonker, Amsterdam

NY-NL-XX, Gemeentemuseum Helmond, Helmond, The Netherlands

Out West and Back East: New Work from Los Angeles and New York, Santa Monica Museum of Art, California

Up the Establishment, Sonnabend Gallery, New York

1993

The Figure as Fiction: The Figure in Visual Art and Literature, Contemporary Arts Center, Cincinnati , [catalogue]

Medium Messages, Wooster Gardens, New York

Mr. Serling’s Neighborhood, Christopher Grimes Gallery, Santa Monica, California

The Return of the Cadavre Exquis, The Drawing Center, New York , [itinerary: Corcoran Gallery of Art, Washington, D.C.; Santa Monica Museum of Art, California; Forum for Contemporary Art, St. Louis; The American Center, Paris] [catalogue]

Tabu: Women, Painting, Subversion, Four Walls,u00a0Brooklyn

Yale Collects Yale, Yale University Art Gallery, New Haven, Connecticut , [catalogue]

1992

ECSTASY, Dooley Le Cappellaine, New York

The Anti-Masculine, Kim Light Gallery, Los Angeles

FIAR International. Art Under 30, Palazzo della Permanente,u00a0Milan , [itinerary: Galleria del Chiostro, Rome; Lu2019Espace Pierre Cardin, Paris; Accademia Italiana della Arti, London; National Academy of Design, New York; Wight Art Gallery, University of California, Los Angeles] [catalogue]

Little Men/Little Women, White Columns, New York

A Paper Trail, Berland/Hall Gallery, New York

Victor Estrada, Charles Long, Pae White, Lisa Yuskavage, Elizabeth Koury,u00a0New York

1991

Fine Arts Work Benefit Show, Twining Gallery, New York

1989

Selections by Fine Arts Work Center Fellowship Recipients, Twining Alcove Gallery, New York

Juried Show ‘89, New Jersey Center for the Visual Arts, Summit, New Jersey

1988

Emerging Artists, WWAC Gallery, Westport, Connecticut

Twenty Artists Choose Twenty Artists, Provincetown Art Museum, Massachusetts

1987

New Work, New Talent, New Haven, Harcus Gallery, Boston

1986

New Talent, Alpha Gallery, Boston

AWARDS

2019

Aspen Award for Art

2005

Temple University Gallery of Success Award, Temple University, Philadelphia

2000

Founder’s Day Certificate of Honor, Tyler School of the Arts, Philadelphia

1996

Tiffany Foundation Grant

1994

MacDowell Colony Fellowship

1986

Zimtbaum Foundation Fellowship, Fine Arts Work Center, Provincetown, Massachusetts

SELECTED ARTIST TALKS AND LECTURES

2023

“Lisa Yuskavage | PROGRAM,” David Zwirner [virtual]

2022

“Artist Conversation Featuring Lisa Yuskavage and Christian Vivero-Fauné,” University of South Florida College of The Arts, Tampa, FL

“Inside ‘The Red Studio’: Ann Temkin with 6 Artists on Matisse | Special Episode,” Dialogues: The David Zwirner Podcast [virtual]

“Shop Talk: Artists and Their Studios,” Museum of Modern Art, [virtual]

“Clear bright edges of the horizon: new perspectives Jesse Murry: Lisa Yuskavage & Jarrett Earnest,” New York Studio School

2021

“Lisa Yuskavage in Conversation with Stephen Ellis,” Maryland Institute College of Art, Painting Department [virtual]

“The Great Women Artists Podcast: Lisa Yuskavage,” Podcast

“Jesse Murry: Aphorisms,” David Zwirner

2020

“The Brooklyn Rail New Social Environment: Lisa Yuskavage and Terry R. Myers, moderated by Sophia Pedlow,” The Brooklyn Rail [virtual]

“Life During Wartime: Art in the Age of the Coronavirus, Lisa Yuskavage Artist Conversation with Christian Viveros-Fauné,” University of South Florida, Institute for Research in Art [virtual]

“Phoning It In with Amy Cappellazzo & Lisa Yuskavage,” Sotheby's [virtual]

“POWER/CULTURE Part Two: The Power of the Artist/Creator,” The Kitchen

“Unsentimental Education: Lisa Yuskavage and Jarrett Earnest,” McNally Jackson Independent Booksellers

“Dialogue and Discourse | Once Upon a Time: Narrative in Art,” The Jewish Museum

“The Week in Art by the Art Newspaper,” Podcast

2019

“On Renoir: Lisa Yuskavage and Alison de Lima Greene in Conversation,” The Clark

“Aspen Art Museum Artist Talk: Lisa Yuskavage,” Aspen Art Museum

“Why Renoir Matters: A Conversation,” Kimbell Art Museum

“Christian Viveros-Fauné in Conversation with Lisa Yuskavage,” New York Studio School

“Lisa Yuskavage and Barry Schwabsky in Conversation,” Nurse Bettie, New York

2018

“Lisa Yuskavage in Coversation with Christopher Bedford,” Pratt Institute School of Art, Brooklyn, New York

“Tell Me Something Good: Joanna Pousette-Dart, Sarah Sze, Lisa Yuskavage,” Center for Italian Modern Art, New York

“Dialogues: The David Zwirner Podcast – Episode 4 | Lisa Yuskavage and Tamara Jenkins,” David Zwirner, New York

2017

“Lisa Yuskavage Talks Art with FAWC Fellows,” Fine Arts Work Center, Provincetown, Massachusetts

“Contemporary Perspectives on de Chirico,” Center for Italian Modern Art, New York

“Laughter in the Dark: A panel discussion on Philip Guston’s satirical caricatures of the 37th President of the United States: Richard Nixon,” Hauser & Wirth, New York

“Contemporary Perspectives on Francis Picabia,” The Museum of Modern Art, New York

“How to See Francis Picabia – with Lisa Yuskavage and MoMA Curator, Anne Umland,” The Museum of Modern Art, New York

2016

“Artist Talk: Lisa Yuskavage,” Contemporary Art Museum St. Louis, Missouri

“Spring 2016 Opening,” Contemporary Art Musuem, St. Louis, Missouri

2015

“The Artist Project: Lisa Yuskavage on Édouard Vuillard,” The Metropolitan Museum of Art, New York

“Visiting Artist Lecture Series: Lisa Yuskavage,” Columbia University, New York

“Lisa Yuskavage at Temple Contemporary,” Tyler School of Art, Philadelphia

“Interviews from Yale University Radio WYBCX: Lisa Yuskavage Interview by Angela Lynn Fraleigh; hosted by Brainard Carey,” Yale University, Hartford, Connecticut

“Lisa Yuskavage in Conversation with Jarret Earnest,” The Strand, New York

“The Brood / Lisa Yuskavage, Christopher Bedford / An Artist Dialogue Series Event,” New York Public Library, New York

“Lisa Yuskavage in Conversation with Christopher Bedford,” The Rose Art Museum, Brandeis University, Waltham, Massachusetts

“Suzanne Hudson Seminar – Artist Panel,” Whitney Museum of American Art, New York

“Lisa Yuskavage Lecture,” BHQFU, New York

“Intimacy in Discourse,” School of Visual Arts Chelsea Gallery, New York

2014

“Lisa Yuskavage: Artist Talk,” Museum of Fine Arts, Houston, Texas

2013

“Lisa Yuskavage and Phong Bui in Conversation,” New York Studio School, New York

2012

“Artist Talk: Lisa Yuskavage on Vuillard,” The Jewish Museum, New York

“Lisa Yuskavage with Alexi Worth: In Conversation,” New York Studio School

2011

“Dublin Contemporary – Lisa Yuskavage,” Royal Hibernian Academy, Dublin

2010

“Artist Visions Lectures Series: Lisa Yuskavage,” 92nd Street Y, New York

“Visiting Artist Talk: Lisa Yuskavage,” Massachusetts College of Art & Design, Boston

2009

“Lisa Yuskavage,” San Francisco Art Institute

“Lisa Yuskavage,” School of Visual Arts, New York

“Lisa Yuskavage: A Lecture,” Woldenberg Art Center, Tulane University, New Orleans

2007

“Lisa Yuskavage,” Public Art Funds Talk, New School, New York

2005

“ArtTalks: Lisa Yuskavage,” American Federation of Arts, New York

“Lisa Yuskavage in conversation with James Rondeau,” The Art Institute of Chicago

2004

“40th Anniversary Lecture Series: Lisa Yuskavage with Claudia Gould,” Institute of Contemporary Art, University of Pennsylvania

2003

“Visiting Artist Lecture,” Skowhegan School of Painting and Sculpture, New York

2002

“Pictures, Patents, Monkeys, and More… On Collecting,” Institute of Contemporary Art, Philadelphia

2001

“Lisa Yuskavage on the Last 15 Years of Work,” New York Studio School, New York

“Lisa Yuskavage and Johannes Vermeer,” The Metropolitan Museum of Art, New York

2000

“Modern Art Despite Modernism Panel,” Museum of Modern Art, New York

1998

“Seminars with Artists,” Whitney Museum of American Art, New York

1995

“13 Artists in the Studio: Lisa Yuskavage,” Lisa Yuskavage Studio, New York

SELECTED PUBLIC COLLECTIONS

Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts

Albright-Knox Art Gallery, Buffalo, New York

The Art Institute of Chicago

Denver Art Museum, Colorado

Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York

Gemeentemuseum, The Hague

Hammer Museum, Los Angeles

Hirshhorn Museum and Sculpture Garden, Washington, D.C.

Institute of Contemporary Art, Boston

Long Museum, Shanghai

The Metropolitan Museum of Art, New York

Museum of Contemporary Art, Los Angeles

Museum of Contemporary Art, San Diego, California

Museum of Fine Arts, Houston, Texas

The Museum of Modern Art, New York

Oklahoma City Museum of Art

Pennsylvania Academy of Fine Arts, Philadelphia

The Rose Art Museum,u00a0Brandeis University, Waltham, Massachusetts

Rubell Family Collection, Miami

San Francisco Museum of Modern Art

Seattle Art Museum, Washington

Tampa Museum of Art, Florida

Walker Art Center, Minneapolis, Minnesota

Weatherspoon Art Museum, University of North Carolina, Greensboro

Whitney Museum of American Art, New York

Yale University Art Gallery, New Haven, Connecticut

MONOGRAPHS & SOLO EXHIBITION CATALOGUES

2020

Lisa Yuskavage: Wilderness. Text by Christopher Bedford, Helen Molesworth, Heidi Zuckerman. Interview by Mary Weatherford. Gregory Miller & Company

2019

Lisa Yuskavage: Babie Brood / Small Paintings, 1985-2018. Jarrett Earnest. Foreword by Hanna Schouwink. David Zwirner Books, New York

2015

Lisa Yuskavage: The Brood Paintings 1991–2015. Texts by Christopher Bedford, Suzanne Hudson, Catherine Lord, and Siddhartha Mukherjee. Interview with the artist by Katy Siegel. Skira Rizzoli, New York (exh. cat.)

2007

Art in America: Three Hundred Years of Innovation. Susan Davidson. The Solomon R. Guggenheim Foundation, New York

2006

Lisa Yuskavage. Text by David Zwirner. David Zwirner, New York (exh. cat.)

Lisa Yuskavage. Texts by Tobias Ostrander and Christian Viveros-Faunu00e9. Museo Tamayo Arteu00a0Contemporu00e1neo, Mexico City (exh. cat.)

2004

Lisa Yuskavage: Small Paintings 1993–2004. Text by Tamara Jenkins. Harry N. Abrams, New York

2000

Lisa Yuskavage. Texts by Marcia B. Hall and Katy Siegel. Interview with the artist by Claudia Gould. Institute of Contemporary Art, University of Pennsylvania, Philadelphia (exh. cat.)

1996

Lisa Yuskavage. Text by Faye Hirsch. Interview with the artist by Chuck Close. Smart Art Press, Santa Monica, California (exh. cat.)

SELECTED BOOKS & GROUP EXHIBITION CATALOGUES

2025

Closer to Life. Edited by Tom Eccles and Amy Zion. Bard College, Annandale-on-Hudson, NY

2024

50 Paintings. Margaret Andera and Michelle Grabner. With contributions by Nigel Cooke, Byron Kim, Barry Schwabsky, and Molly Zuckerman-Hartung. Milwaukee Art Museum, Milwaukee, WI

Why Art Matters: The Bearable Lightness of Being. Heidi Zuckerman. Orange County Museum of Art, Costa Mesa, CA

2023

Open Questions: Thirty Years of Writing about Art. Molesworth, Helen. Phaidon Press

2022

Women Painting Women. Edited with text by Andrea Karnes. Preface by Marla Price. Text by Emma Amos, Faith Ringgold. DelMonico Books / Modern Art Museum of Fort Worth

The Art of Arousal: A Celebration of Erotic Art Throughout History. Westheimer, Ruth K. Abbeville Publishing Group, New York

Jesse Murry: Rising / Necessary Angels: Jesse Murry & Lisa Yuskavage. Edited by Jarrett Earnest and Christian Viveros-Faunu00e9. University of South Florida Contemporary Art Museum, Tampa, FL

Competere. Introduction by Bo Batlett and Betsy Eby. Columbus State University

Great Women Painters. Phaidon Editors. Phaidon Press

The Story of Art Without Men. Hessel, Katy. Hutchinson Heinemann, London

2021

On the Basis of Art: 150 Years of Women at Yale. Introduction by Elisabeth Hodermarsky. Essays by Helen A. Cooper, Linda Konheim Kramer, and Marta Kuzma. Yale University Art Gallery, New Haven, CT

(Nothing but) Flowers. Essays by Hilton Als, Helen Molesworth, and David Rimanelli. Karma Books, New York

talk ART: Everything you wanted to know about contemporary art but were afraid to ask. Russell Tovey and Robert Diament. Foreword by Jerry Saltz. Chronicle Books LLC, London

2020

Drawing 2020. Edited by Miciah Hussey, Isaac Alpert, and Sarah Willis. Verlag der Buchhandlung Walther und Franz Ku00f6nig, Ku00f6ln, Germany

Will Smith Street Couture. Alexandra Cunningham, ed. [featuring an essay by Lisa Yuskavage]. Cooper Hewitt Smithsonian Design Museum and Rizzoli Electa

2019

Landscape Painting Now: From Pop Abstraction to New Romanticism. Barry Schwabsky. Edited by Todd Bradway. Thames and Hudson Ltd

Renoir: The Body, The Senses. Esther Bell (editor), George T.M. Shackelford (editor); Contributors: Martha Lucy, Nicole Myers, Lisa Yuskavage, Alison de Lima Greene. Clark Art Institute, Williamstown, MA

Great Women Artists. Phaidon Press, New York

Conversations with Artists II. Interviews by Heidi Zuckerman. Aspen Art Press, Aspen, CO

The Observer Effect: On Contemporary Painting. Barry Schwabsky. Sternberg Press, Berlin

2018

David Zwirner: 25 Years. Edited by Anne Wehr and Lucas Zwirner. David Zwirner Books, New York

All Too Human: Bacon, Freud and a Century of Painting Life. Edited by Emma Poulter. Tate Publishing, London.

2017

The Artist Project: What Artists See When They Look At Art. Foreword by Thomas P. Campbell, introduction by Christopher Noey. Phaidon Press

The MER Collection. Turner, Madrid

Philip Guston: Nixon Drawings 1971 & 1975. Edited by Musa Mayer and Sally Radic. Hauser & Wirth, London

Tell Me Something Good: Artist Interviews From the Brooklyn Rail. Edited by Jarrett Earnest and Lucas Zwirner. Introduction and portraits by Phong Bui. David Zwirner Books, New York

2016

The Metropolitan Museum of Art: Masterpiece Paintings. Text by Kathryn Calley Galitz, foreword by Thomas P. Campbell. Skira Rizzoli Publications, Inc., New York

She: International Women Artists Exhibition. Edited by Wang Wei. Texts by Xiang Jing, Pi Li, and Shirin Neshat. Interview with the artist by Jarrett Earnest. Long Museum, Shanghai (exh. cat.)

2015

Painting Now. Suzanne Hudson. Thames & Hudson, Ltd.

Intimacy in Discourse: Unreasonable Sized Paintings. Curated by Phong Bui. Rail Curatorial Projects and SVA Chelsea Gallery, New York

Come Together: Surviving Sandy, Year 1. Edited by Jack Flam. Skira Rizzoli, New York (exh. cat.)

NO MAN’S LAND: Women Artists from the Rubell Family Collection. Edited by Juan RoselioneValadez. Texts by Tami Katz-Freiman and Anna Stothart. Rubell Family Collection, Miami (exh. cat.)

Painting Now. Text by Suzanne Hudson. Thames & Hudson, New York

2014

Love Story: The Anne and Wolfgang Titze Collection. Texts by Agnes Husslein-Arco, Clayton Press, and Anne de Boismilon. Moderne Kunst Nu00fcrnberg, Nu00fcrnberg, Germany

Spaced Out: Migration to the Interior. Essays by Phong Bui, Faith Holland, and Vincent Katz. Red Bull Studios

SHE: Picturing women at the turn of the 21st century. Curated and edited by Jo-Ann Conklin. Essay by Ian Alden Russell. Brown University, Providence, RI

Disturbing Innocence. Edited by Eric Fischl. The FLAG Art Foundation, New York

Rubell Family Collection: Highlights & Artists’ Writings Volume 1. Edited. by Juan Roselione-Valadez. Rubell Family Collection, Miami

The Distaff Side. Edited by Joan Simon. Texts by Melva Bucksbaum, Ryan Frank, Steven Learner, Caitlin Smith, and Elisabeth Sussman. The Granary, Sharon, Connecticut (exh. cat.)

Disturbing Innocence. Texts by James Frey and A.M. Homes. The FLAG Art Foundation, New York (exh. cat.)

Love Story: The Anne and Wolfgang Titze Collection. Edited by Agnes Husslein-Arco and Anne de Boismilon. Verlag fu00fcr moderne Kunst Nu00fcrnberg, Nuremberg (exh. cat.)

Somos Libres II: Works from the Mario Testino Collection. Text by Neville Wakefield. Rizzoli, New York (exh. cat.)

The Twenty-First Century Art Book. Texts by Jonathan Griffin, Paul Harper, David Trigg, andu00a0Eliza Williams. Phaidon Press, London

2013

The Reckoning: Women Artists of the New Millennium. Texts by Eleanor Heartney, Helaineu00a0Posner, Nancy Princenthal, and Sue Scott. Prestel, Munich

2012

Valeria Napoleone’s Catalogue of Exquisite Recipes. Valeria Napoleone. Koenig Books, London

The Female Gaze: Women Artists Making Their World. Robert Cozzolino. Edited by Mariah Keller. Pennsylvania Academy of the Fine Arts

Decade: Contemporary Collecting 2002-2012. Texts by David Pagel and Heather Pesanti. Albright-Knox Art Gallery, Buffalo, New York (exh. cat.)

Dublin Contemporary 2011: Terrible Beauty – Art, Crisis, Change & The Office of Non- Compliance. Edited by Christian Viveros-Faunu00e9. Texts by Ben Davis and Christianu00a0Viveros-Faunu00e9. Dublin Contemporary (online exh. cat.)

Haunting Narratives: Detours from Philadelphia Realism, 1935 to the Present. Matthew Palczynski. Woodmere Art Museum, Philadelphia (exh. cat.)

2011

Secret Societies. To Know, to Dare, to Will, to Keep Silence. Edited by Cristina Ricupero, Alexis Vaillant, and Max Hollein. Schirn Kunsthalle, Frankfurt, Germany

American Exuberance. Texts by Rashid Johnson, Nate Lowman, Richard Prince, Sterling Ruby, Haim Steinbach, Ryan Trecartin et al. Rubell Family Collection, Miami (exh. cat.)

Are You Experienced? How Psychedelic Consciousness Transformed Modern Art. Text by Ken Johnson. Prestel, Munich

Creating the New Century: Contemporary Art from the Dicke Collection. Texts by Ellie Bronson, Jim Dicke, and Jan Driesbach. Dayton Art Institute, Dayton, Ohio (exh. cat.)

Legacy: The Emily Fisher Landau Collection. Edited by Nancy Grubb. Whitney Museum of American Art, New York

Secret Societies. Texts by Ina Blom, Michael Bracewell, Gary Lachman, Jan Verwoert et al. Snoeck, Cologne (exh. cat.)

2010

Between Picture and Viewer: The Image in Contemporary Painting. Texts by Tom Huhn and Isabel Taube. Visual Arts Press, Ltd., New York (exh. cat.)

The Library of Babel/In and Out of Place. Texts by Anna-Catharina Gebbers and Ellen Mara De Wachter. Zabludowicz Collection, London (exh. cat.)

Size Does Matter. Text by James Frey. The FLAG Art Foundation, New York (exh. cat.)

2009

Women: From the Steven & Alexandra Cohen Collection. Joachim Pissarro. Sotheby's, London

Diana and Actaeon: The Forbidden Glimpse of the Naked Body/Diana und Actaeon. Der verbotene Blick auf die Nacktheit. Edited by Sandra Badelt and Beat Wismer. Texts by Bettina Baumgu00e4rtel, Maria Moog-Gru00fcnewald, Beat Wismer et al. Hatje Cantz, Ostfildern, Germany and Museum Kunstpalast, Du00fcsseldorf (exh. cat.)

Figuratively Seeing. Texts by Lisa Tung and Ann Wilson Lloyd. Massachusetts College of Art and Design, Boston

Go for it! Olbricht Collection (a sequel). Text by Peter Friese. Weserburg Museum fu00fcr moderne Kunst, Bremen, Germany (exh. cat.)

Paint Made Flesh. Edited by Mark W. Scala. Texts by Emily Braun, Susan H. Edwards, Mark W. Scala, and Richard Shiff. Vanderbilt University Press, Nashville, Tennessee (exh. cat.)

2008

Eyes Wide Open: Acquisitions to the Stedelijk & The Monique Zajfen Collection. Stedelijk Museum, Amsterdam

Let’s See: Writings on Art from The New Yorker. Schjeldahl, Peter. Thames & Hudson Ltd., New York

Art & Today. Text by Eleanor Heartney. Phaidon Press, London

Attention to Detail. Text by Richard Patterson. The FLAG Art Foundation, New York (exh. cat.)

Bad Painting — good art. Texts by Eva Badura-Triska, Susanne Neuburger, Stefan Neuner, Friedrich Petzel et al. DuMont. Cologne and Museum Moderner Kunst Stiftung Ludwig Wien, Vienna (exh. cat.)

Légende. Edited by Alexis Vaillant. Texts by Jean-Philippe Antoine, J.G. Ballard, Craig Buckley, Will Holder, Alexis Vaillant, et al. Sternberg Press, Berlin (exh. cat.)

Out of Shape: Stylistic Distortions of the Human Form in Art from the Logan Collection. Text by Mary-Kay Lombino. Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York (exh. cat.)

Qu’est-ce que la peinture aujourd’hui? Texts by Douglas Fogle, Olivier Mosset et al. Beaux Arts/TTM Editions, Paris

2007

“Don’t Look.”: Contemporary Drawings from an Alumna’s Collection (Martina Yamin, Class of 1958). Davis Museum and Cultural Center, Wellesley College, Wellesley, MA

New York, of course. Ralph Hermanns. Wetterling Gallery, Stockholm

Art in America: Three Hundred Years of Innovation. Edited by Susan Davidson. Merrell, London (exh. cat.)

Contemporary Realism: The Seavest Collection. Text by Jared Pruzan. The Collectors Press, Portland, Oregon

Don’t Look: Contemporary Drawings from an Alumna’s Collection (Martina Yamin, Class of 1958). Texts by Jennifer Cawley, Jordan Kantor, and Elizabeth Wycoff. Davis Museum and Cultural Center. Wellesley College, Wellesley, Massachusetts (exh. cat.)

New York, of course. Edited by Ralph Herrmanns. Wetterling Gallery Publishing, New York

2006

“Maudit: John Currin and Morphology.” In John Currin. Bryson, Norman. Edited by Kara Vander Weg with Rose Dergan. Gagosian Gallery, New York.

Modigliani and His Models. Royal Academy of Arts, London

Artists. Texts by Christopher Bollen and Alix Browne. Edition 7L, Paris

Collecting Contemporary. Text by Adam Lindemann. Taschen, Cologne

Modigliani and His Models. Texts by Emily Braun, Kenneth E. Silver, Kenneth Wayne et al. Royal Academy Publications/Royal Academy of Arts,

London Painting Codes. I codici della pittura. Edited by Andrea Bruciati and Alessandra Galasso. Galleria Comunale du2019Arte Contemporanea Monfalcone, Monfalcone, Italy (exh. cat.)

Painting People: Figure Painting Today. Text by Charlotte Mullins. Distributed Art Publishers, Inc., New York

People. Volti, corpi e segni contemporanei dalla collezione di Ernesto Esposito. Texts by E. Cicelyn and M. Codognato. Museo du2019Arte Contemporanea Donna Regina, Naples (exh. cat.)

Pin-up Grrrls: Feminism, Sexuality, Popular Culture. Text by Maria Elena Buszek. Duke University Press, Durham, North Carolina

2005

No. 1: First Works by 362 Artists. Edited by Francesca Richer and Matthew Rosenzweig. D.A.P/Distributed Art Publishers, Inc., New York

Forty Years at the Institute of Contemporary Art. Edited by Johanna Plummer. Interview with the artist by Claudia Gould. Institute of Contemporary Art, University of Pennsylvania, Philadelphia

Post Modern Portraiture from the Logan Collection. Texts by Kent Logan and Dean Sobel. The Logan Collection, Vail, Colorado (exh. cat.)

2004

Not Afraid: Rubell Family Collection. Text by Mark Coetzee. Phaidon Press, London

5th International Biennial SITE Santa Fe. Disparities and Deformations: Our Grotesque. Text by Robert Storr. SITE Santa Fe, New Mexico (exh. cat.)

The Charged Image: From the Collection of Douglas S. Cramer. Text by Robert Rosenblum. Joseloff Gallery, University of Hartford, West Hartford, Connecticut (exh. cat.)

2003

CURVE The Female Nude Now. Texts by David Ebony, Jane Harris, Frances Richard, Martha Schwendener, Sarah Valdez, and Linda Yablonsky. Universe Publishing, New York

Reverie: Works from the Collection of Douglas S. Cramer. The Speed Art Museum, Louisville, Kentucky (exh. cat.)

Supernova: Art of the 1990s from the Logan Collection. Edited by Madeleine Grynsztejn. Texts by Dan Cameron, Jessica Morgan, Ralph Rugoff et al. San Francisco Museum of Modern Art (exh. cat.)

2002

177th Annual: An Invitational Exhibition. National Academy of Design, New York (exh. cat.)

Fusion Cuisine. Texts by Katerina Gregos, Jo Anna Isaak, Lynne Tillman et al. Deste Foundation for Contemporary Art, Athens (exh. cat.)

The Great American Nude. Texts by Jennifer Ambrose, William H. Gerdts, Nancy Hall-Duncan, and Anne Lanford. Bruce Museum of Arts and Science, Greenwich, Connecticut

SAM Collects: Contemporary Art Project. Seattle Art Museum, Washington

Vitamin P: New Perspectives in Painting. Edited by Valerie Breuvart. Phaidon Press, London

2001

Arte Contemporaneo Internacional. Instituto Nacional de Bellas Artes. Museo de Arte Moderno, Mexico City (exh. cat.)

Lateral Thinking: Art of the 1990s. Text by Toby Kamps. Museum of Contemporary Art San Diego, California (exh. cat.)

Modern Art. Edited by Sam Hunter, John Jacobus, and Daniel Wheeler. Prentice Hall, Upper Saddle River, New Jersey

Naked Since 1950. Text by Robert Pincus-Witten. C&M Arts, New York (exh. cat.)

Pictures, Patents, Monkeys, and More…On Collecting. Texts by Werner Muensterberger, Ingrid Schaffner, and Fred Wilson. Independent Curators International, New York (exh. cat.)

Zoo. Edited by Eliza Williams. Purple House Limited, London

2000

Modern Art. Text by Sam Hunter and John Jacobus. Prentice Hall, Upper Saddle River, New Jersey [third edition]

00: Drawings 2000. Text by Klaus Kertess. Barbara Gladstone Gallery, New York (exh. cat.)

46th Biennial Exhibition: Media/Metaphor. Text by Philip Brookman. Corcoran Gallery of Art, Washington, D.C. (online exh. cat.)

Whitney Biennial. Texts by Maxwell L. Anderson et al. Whitney Museum of American Art, New York (exh. cat.)

Greater New York: New Art in New York Now. P.S.1 Contemporary Art Center, Long Island City, New York (exh. cat.)

Absolute Art. The Absolute Company, Stockholm

Beauty Matters. Edited by Peggy Zeglin Brand. Indiana University Press, Bloomington, Indiana

The Figure, Another Side of Modernism. Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, New York (exh. cat.)

Modern Art: Painting, Sculpture, Architecture. Harry N. Abrams, New York

A Plurality of Truths. Essays by Laura Hoptman and Crystalle Lacouture. Schick Art Gallery, Skidmore College, Saratoga Springs, New York (exh. cat.)

Twisted. Urban Visionary Landscapes in Contemporary Painting. Edited by Marente Bloemheuvel and Jaap Guldemond. NAi Publishers, Rotterdam and Van Abbemuseum, Eindhoven, The Netherlands (exh. cat.)

Works on Paper 2000. An Exhibition in the Residence of the American Ambassador. The United States Embassy, Bratislava, Slovakia (exh. cat.)

1999

6th Istanbul Biennial: The Passion and the Wave. Text by Paolo Colombo. International Istanbul Biennial (exh. cat.)

Looking at Ourselves: Works by Women Artists from the Logan Collection. Text by Daniela Salvioni. San Francisco Museum of Modern Art (exh. cat.)

Negotiating Small Truths. Text by Annette DiMeo Carlozzi. Blanton Museum of Art, University of Texas at Austin (exh. cat.)

The Nude in Contemporary Art. Texts by David McCarthy and Harry Philbrick. Aldrich Contemporary Art Museum, Ridgefield, Connecticut (exh. cat.)

The Time of Our Lives. Texts by Anne Barlow, Xochitl Dorsey, Anne Ellegood, Philip Koplin, Marcia Tucker, and Anja Zimmermann. New Museum of Contemporary Art, New York (exh. cat.)

1998

Cream: Contemporary Art and Culture. Texts by Dan Cameron et al. Phaidon Press, London

Pop Surrealism. Texts by Richard Klein, Dominique Nahas, and Ingrid Schaffner. Aldrich Contemporary Art Museum, Ridgefield, Connecticut (exh. cat.)

A Portrait of Our Times: An Introduction to the Logan Collection. Text by Gary Garrels. San Francisco Museum of Modern Art (exh. cat.)

Presumed Innocence. Texts by Kathryn Hixson and Robert Hobbs. Anderson Gallery, Virginia Commonwealth University, Richmond; University of Washington Press, Seattle; Contemporary Arts Center, Cincinnati (exh. cat.)

Then and Now: Art Since 1945 at Yale. Text by Joachim Pissarro. Yale University Art Gallery, New Haven, Connecticut (exh. cat.)

Young Americans 2: New American Art at the Saatchi Gallery. Text by Brooks Adams and Lisa Liebmann. Saatchi Gallery, London (exh. cat.)

1997

My Little Pretty: Images of Girls by Contemporary Women Artists. Text by Staci Boris. Museum of Contemporary Art Chicago (exh. cat.)

New Art. Edited by Roxana Marcoci, Diana Murphy, and Eve Sinaiko. Harry N. Abrams, New York

Project Painting. Lehmann Maupin and Basilico Fine Arts, New York (exh. cat.)

Women’s Work: Examining the Feminine in Contemporary Painting. Edited by Nancy Margolis. Southeastern Center for Contemporary Art, Winston-Salem, North Carolina (exh. pub.)

1996

Adicere Animos. Contemporary Art Museum, Bologna, Italy (exh. cat.)

1995

Diverse Group: One Direction. NYU Department of Art and Art Professionals, New York (exh. cat.)

On Beauty. Regina Gallery, Moscow (exh. cat.)

The Louis Comfort Tiffany Foundation 1995 Awards. The American Federation of the Arts, New York

Pittura/Immedia. Malerei in den 90er Jahren. Edited by Peter Weibel. Neue Galerie am Landesmuseum Joanneum and Ku00fcnstlerhaus, Graz, Austria (exh. cat.)

Youth Culture Killed My Dog (But I Don’t Really Mind). Contemporary Arts Council, Chicago (exh. cat.)

1994

The Return of the Cadavre Exquis. Texts by Mary Ann Caws, Elizabeth Finch, Ingrid Schaffner,u00a0and Charles Simic. The Drawing Center, New York (exh. cat.)

1993

The Figure as Fiction: The Figure in Visual Art and Literature. Text by Elaine A. King. Contemporary Arts Center, Cincinnati (exh. cat.)

Yale Collects Yale. Texts by Lesley K. Baier and Sasha Newman. Phoenix Press, New Haven, Connecticut (exh. cat.)

1991

Art Under 30: FIAR International Prize. Text by Ami Barak. Palazzo della Permanente, Milan (exh. cat.)

SELECTED ARTICLES, REVIEWS, INTERVIEWS & ARTIST’S WRITINGS

2025

Haddad, Natalie. “Lisa Yuskavage’s White Hot Women.” Hyperallergic (October 29, 2025)

White, Katie. “Lisa Yuskavage’s Drawings Are the Blueprints for Her Subversive Career.” Artnet News (September 18, 2025)

Budick, Ariella. “Lisa Yuskavage’s art has the power to disturb. Is that enough?” Financial Times (August 2, 2025)

Akers, Torey and Benjamin Sutton. “Must-see exhibitions in New York this autumn.” The Art Newspaper (September 2, 2025)

“What to See This Weekend, According to Our Critics.” Cultured (September 5, 2025)

“Catch Andrew Scott, Scarlett Johansson, Art-World Burners, and More in CULTURED’s Best Conversations of the Summer.” Cultured (August 26, 2025)

Fateman, Johanna. “Here’s Our Critics’ Guide to What’s (Still) On in New York This September… and What They Can’t Wait to See.” Cultured (September 3, 2025)

Hessel, Katy. “GWA Newsletter: September.” Great Women Artists (September 4, 2025)

Nolan,Kelly. “Artseen: Lisa Yuskavage: Drawings.” The Brooklyn Rail (September 2025)

Prosnitz, Paulina. “Arts Intel Report: Lisa Yuskavage Drawings.” Air Mail (August 7, 2025)

“Art: Lisa Yuskavage, drawings.” Meer (August 7, 2025)

Kitay, Kat. “Spotlight: Lisa Yuskavage’s Lessons in Life Drawing.” Ocula (August 12, 2025)

Als, Hilton. “Worlds in Rooms.” The New Yorker (July 29, 2025)

Compiled by Dominique Pariso and Chris Stanton. “The Approval Matrix.” New York Magazine (July 14, 2025)

Staff Writer. “Painting’s Quiet Rebellion: Revisiting the Figurative Surge of 1995 at David Zwirner Gallery, NYC.” Artefuse (June 27, 2025)

Zurbia Betancourt, Ofelia. “First museum exhibition dedicated to the drawings of Lisa Yuskavage opens at The Morgan Library & Museum.” Artdaily (July 10, 2025)

Tafoya, Harry. “June’s Must- See Art Shows in NYC and Beyond.” Paper Magazine (June 12, 2025)

Armstrong, Annie. “9 Must-See Museum Shows Across the U.S.” Artnet (June 20, 2025)

Brener Davich, Julie. “Full-Blown Yuskavage.” Puck (July 1, 2025)

“Lisa Yuskavage’s Genre-Defying Works on Paper Presented at the Morgan Library & Museum.” Hyperallergic (June 27, 2025)

Fateman, Johanna. “Lisa Yuskavage Takes On the Morgan Library.” Cultured (June 2025)

Hiroshi Jager, David. “A Look Back to ‘Circa 1995,’ When ‘New Figuration’ Was the Latest Signal of Painting’s Rebirth.” New York Sun (May 9, 2025)

Miller, M.H. “How to Be an Artist.” The New York Times Style Magazine (June 9, 2025)

Miller, M.H. “For Lisa Yuskavage, Painting Was ‘Pulling a Pin Out of a Grenade.'” The New York Times Style Magazine (June 9, 2025)

Vincler, John. “What Even Is a Body? John Vincler Looks for the Corporeal in New York Gallery Shows Up Now.” Cultured (June 4, 2025)

Gleason, Mat. “My Savage Wife Dragged Me to Yuskavage at Zwirner.” Coagulua (April 12, 2025)

Streams, Journey. “Expressive bodies and gleaming eyes: a glimpse at Lisa Yuskavage’s personal archive of sketches.” Document (May 21, 2025)

Westall, Mark. “Circa 1995: New Figuration in New York.” FAD Magazine (May 2, 2025)

Teicholz, Tom. “Looking at the Paintings of Lisa Yuskavage, and Seeing.” Forbes (April 17, 2025)

Hastreiter, Kim. “My Stuff Tells My Story: Kim Hastreiter, the co-founder of Paper magazine who spent her career chronicling downtown New York, unpacks her archives.” New York Magazine (March 12, 2025)

Freeman, Nate. “The Art World Returns to a Post-Fires Los Angeles.” Vanity Fair (February 21, 2025)

Pricco, Evan. “The Artist’s Process is the Subject in Lisa Yuskavage’s Masterful New Exhibition.” Juxtapoz Magazine (February 25, 2025)

Anne Dalbow, Tara. “Frieze Los Angeles Celebrates the City’s Strength and Solidarity.” Ocula (February 25, 2025)

“Rendez-vous.” Exit Magazine (March 1, 2025)

Wood, Eve. “Lisa Yuskavage: Creating an Alternate Universe.” ArtNowLA (March 20, 2025)

Zellen, Jody. “Lisa Yuskavage / Jody Zellen.” Visual Art Source (March 22, 2025)

Schiffman, Rebecca. “Art Seen: Lisa Yuskavage.” The Brooklyn Rail (April 2025)

Herriman, Kat. “art circuit.” Bal Harbour (December 1, 2024)

“The Most Anticipated 2025 Exhibitions at MoMA, The Met, The Serpentine, and More.” Whitewall (December 31, 2025)

“Lisa Yuskavage.” Art Rabbit (February 12, 2025)

Waywell, Chris. “Los Angeles According to: Alex Tuttle of David Zwirner.” Frieze (January 30, 2025)

“Lisa Yuskavage.” Ocula (January 2, 2025)

Prosnitz, Paulina. “Lisa Yuskavage.” Air Mail (February 15, 2025)

Maneker, Marion. “Frieze Your Mind.” Puck (February 21, 2025)

Quadros, Karly. “Lisa Yuskavage Looks Back.” Autre (February 21, 2025)

Armstrong, Annie. “Los Angeles Toasts Clear Air, Conceptual Art, and Mysterious Mike Kelleys During Cautiously Optimistic Frieze Week.” Artnet News (February 21, 2025)

“The Week in Culture: What to do, see, read, watch, and listen to in the days ahead.” Air Mail (February 2025)

“Visit Desert X 2025 | Thailand’s First Major Contemporary Art Museum to Open | Lisa Yuskavage at David Zwirner .” Ocula (March 14, 2025)

Teicholz, Tom. “Highlights From Frieze Los Angeles In the Wake of the L.A. Fires.” Forbes (March 14, 2025)

Laster, Paul. “8 Must-see Solo Gallery Shows in March.” Galerie Magazine (March 4, 2025)

Moss, Adam. “Lisa Yuskavage Becomes the Protagonist After 35 years of painting her signature girls, the artist has turned to a new subject: herself.” Vulture (February 24, 2025)

Halperin, Julia. “She ‘defies the archetype of the good feminist’ — now Lisa Yuskavage is on top of the art world.” Financial Times (February 14, 2025)

Westall, Mark. “9 Exhibitions to See in Los Angeles During the Art Week.” FAD Magazine (February 14, 2025)

Prosnitz, Paulina. “The Arts Intel Report: Lisa Yuskavage.” Airmail (February 20, 2025)

Duru00f3n, Maximilu00edano. “A Spin Through Some of the Week’s Biggest Gallery Shows in Los Angeles.” ARTnews (February 19, 2025)

2023

Guadagnino, Kate. “Alex Katz, Laurie Simmons and More on Their Favorite New York Exhibitions.” The New York Times Style Magazine (September 25, 2023)

“This is not a studio, this is a studio!”

Gluibizzi, Amanda. “ArtSeen – Lisa Yuskavage: Rendez-vous.” The Brooklyn Rail (July/August 2023)

Pernet, Diane. “Captivating Confluence: Lisa Yuskavage’s Rendez-vous at the David Zwirner Gallery till July 29th.” A Shaded View on Fashion (June 8, 2023)

“Lisa Yuskavage, Ron Mueck: Stars des nineties.” La Ru00e9publique de l'Art (June 12, 2023)

Berland, Alain. “Lisa Yuskavage á la galerie Zwirner.” 02 (July 2023)

Reilly, Samuel. “Gallery Highlights.” Apollo Magazine (June 2023)

Javault, Patrick. “Tableau d’atelier, free-jazz et culte au cinéma.” The Art Newspaper (June 16, 2023)

Luque-Gad, Ingrid. “Lisa Yuskavage ou l’histoire de l’art pour les mauvaises filles.” Les Inrockuptibles (July 1, 2023)

“Agenda. Les expos en galerie.” Numu00e9ro Art (May 2023)

Michaut, Anne-Charlot. “L’Actualité des Galeries.” L'Oeil (June 2023)

Levy, Ariel. “Lisa Yuskavage’s Bodies of Work.” The New Yorker (July 31, 2023)

2022

Cunningham, Joseph. “Yesterday and Today: Art and Design (Part I).” The Magazine Antiques (May/June 2022)

“30 YRS part 29: women and painting.” Purple Magazine, Paris (Fall/Winter 2022)

2021

Earnest, Jarrett. “Landscapes of the Imagination.” The New York Review of Books (December 2, 2021)

Powers, Bill. “The Island Issue: Lisa Yuskavage.” Purple Magazine (Spring/Summer 2021)

Griffin, Jonathan. “For Lisa Yuskavage, art isn’t about being right or wrong – it’s the freedom to do what you want.” Apollo Magazine (February 22, 2021)

Cascone, Sarah. “Artist Lisa Yuskavage Blasts Instagram, Quitting the Social Media Service After It Censored Her Work (Again).” Artnet News (June 24, 2021)

White, Katie. “What I Buy and Why: London Collector Valeria Napoleone on Why She Exclusively Acquires Work by Women Artists.” Artnet (August 10, 2021)

Elbaor, Caroline. “8 Gallery Shows Not to Miss This Fall in New York, From New Louise Lawler Work at Metro Pictures to a Karma Show Curated by Hilton Als.” Artnet News, New York (September 7, 2021)

Kazanjian, Dodie. “Craving Art This Fall? Here Are 57 Varieties.” Vogue, New York (September 6, 2021)

Ober, Cara. “Rebellion, Relevance, Texas, and Lisa Yuskavage.” BmoreArt (September 13, 2021)

Smith, Roberta. “A New Level of Ambition in Art by 3 Women.” The New York Times (September 16, 2021)

Rosenfeld, Jason. “Lisa Yuskavage: New Paintings.” The Brooklyn Rail (October 2021)

Becker, Robert. “The Inexorable Pull of Lisa Yuskavage’s Paintings.” Hyperallergic (October 11, 2021)

Kan-Sperling, Olivia. “The Review’s Review: Reproducing Bodies.” The Paris Review (September 23, 2021)

Molesky, David. “In Review: The Armory Show, Future Fair and the NY Art Fair Week.” Juxtapoz Magazine (September 14, 2021)

Freeman, Nate. “True Colors: The Search for a Center of Gravity at an Ever-Expanding Armory Week.” Vanity Fair (September 10, 2021)

Small, Rachel. “Lisa Yuskavage New Paintings.” THEGUIDE.ART (September 9, 2021)

Sifton, Sam. “What to Cook This Weekend.” The New York Times (September 24, 2021)

2020

Christian Viveros-Faunu00e9, Louisa Buck, Jonathan Griffin, and Melissa Smith. “The Most Exciting Exhibitions To Look Forward To.” Art Agency, Partners (January 29, 2020)

Estiler, Keith. “Lisa Yuskavage Brings a Surrealist ‘Wilderness’ to Aspen Art Museum.” Hypebeast (February 6, 2020)

The Editors. “7 Must-See Exhibitions This week, From San Francisco to London and Beyond.” Surface Magazine (February 10, 2020)

Felsenthal, Julie. “A Painter Who Wants Art to Shock.” The New York Times Style Magazine (February 12, 2020)

Travers, Andrew. “Lisa Yuskavage’s Fantastical Landscapes at the Aspen Art Museum.” The Aspen Times (February 13, 2020)

Kay, Christin. “Lisa Yuskavage On Criticism, Courage And Her New Aspen Art Museum Show, ‘Wilderness.'” Aspen Public Radio (March 4, 2020)

Mistretta, Augustina. “Agus on Art: Lisa Yuskavage Reclaims History at the Aspen Art Museum.” Aspen Daily News (February 28, 2020)

Thomson, Allese. “Mask 4 Masc.” GARAGE (May 17, 2020)

“Lisa Yuskavage Will Be Wearing Something Extremely Flammable to Her Own Funeral.” GARAGE (May 20, 2020)

“The Legend of Lisa Yuskavage Grows with ‘Wilderness’ @ Aspen Art Museum.” Juxtapoz Magazine (February 19, 2020)

Judah, Hettie. “Men Under the Female Gaze: in Hannah Gadsby’s Douglas and I See You at Victoria Miro, women are not looked at — they do the looking.” iNews, London (June 1, 2020)

2019

Time Out New York contributors. “The 100 best paintings in New York.” Time Out New York (January 24, 2019)

Carrier, David. “The Trouble with Renoir’s Nudes.” Hyperallergic (August 3, 2019)

Binlot, Ann. “‘All art is voyeuristic’: Lisa Yuskavage on the Joy of Provocation.” Document (August 3, 2019)

Cascone, Sarah. “Editors’ Picks: 18 Things Not to Miss in New York’s Art World This Week.” Artnet News (March 11, 2019)

Goldston, Bill. “Lisa Yuskavage with Bill Goldston.” The Brooklyn Rail (December 2019 - January 2020)

2018

Michalarou, Efi. “Art Cities: N. York-Lisa Yuskavage.” Dream Idea Machine (November 26, 2018)

“Lisa Yuskavage.” International Art Exhibitions (December 2018)

J.F. “Goings On About Town.” The New Yorker (December 3, 2018)

Kardon, Dennis. “A Painter Trades Sex for Romance.” Hyperallergic (December 8, 2018)

Mitchell, Matt. “SEED Curated by Yvonne Force at Paul Kasmin Gallery.” Beautiful Bizarre (August 3, 2018)

Mitchell, Matt. “Transference: Two Exhibitions of Lisa Yuskavage at David Zwirner.” artcritical (December 10, 2018)

Noyces, Chandra. ““SEEDs” of Feminine Mysticism at Paul Kasmin Gallery.” Art & Object (June 19, 2018)

Saltz, Jerry. “25 Things to Do Over the Next 2 Weeks: Watch ‘Marvelous Mrs. Maisel,’ Read ‘Insomnia,’ Listen to ‘Warm.’.'” Vulture (November 11, 2019)

Spellings, Sarah. “One Great Question to Ask an Artist.” The Cut (March 9, 2018)

Spellings, Sarah. “Two Artists on Breasts, Labels, and Ignoring Critics.” The Cut (August 8, 2018)

The Editors of ARTnews. “9 Art Events to Attend in New York City This Week.” ARTnews (November 8, 2018)

Ambrose, David. “Lisa Yuskavage: Babie Brood: Small Paintings 1985-2018.” Whitehot Magazine of Contemporary Art (December 2018)

Balasz, Takac. “5 Lisa Yuskavage Nudes From Her Upcoming Survey at David Zwirner.” Widewalls (November 7, 2018)

Cascone, Sarah. “With an Expansive David Zwirner Show and a Traveling Survey Show, Lisa Yuskavage Is About to Be Everywhere.” Artnet (November 5, 2018)

Cohen, Alina. “Lisa Yuskavage Doesn’t Want to Be a “Good Feminist.” Her Paintings Are Better for It.” Artsy (November 14, 2018)

Gebremedhin, Thomas. “Lisa Yuskavage’s Art Continues to Defy Characterization.” Wall Street Journal (November 6, 2018)

Heartney, Eleanor. “Lisa Yuskavage: New Paintings & Babie Brood.” The Brooklyn Rail (December 11, 2018)

2017

Allsop, Laura. “A Conservation with Lisa Yuskavage.” Ocula (July 7, 2017)

Elbaor, Caroline. “Painter Lisa Yuskavage’s Sultry Sirens Are Back at David Zwirner.” Artnet (June 15, 2017)

Farr, Kristin. “The Erotic and Angelic: Lisa Yuskavage on View @ David Zwirner, London.” Juxtapoz Magazine (June 7, 2017)

Frankel, Eddy. “Lisa Yuskavage.” Time Out London (June 6, 2017)

“Looking at Late de Chirico: Matvey Levenstein, Stephen Ellis, and Lisa Yuskavage.” The Brooklyn Rail (May 1, 2017)

Luke, Ben. “Summer Art Pilgrimages.” The Art Newspaper (July 16, 2017)

Rachel, T. Cole. “Lisa Yuskavage on Trusting Your Creative Instincts.” The Creative Independent (June 15, 2017)

Sherwin, Skye. “Anatomy of an artwork: Lisa Yuskavage’s ‘Déjà Vu,’ 2017.” The Guardian (June 12, 2017)

Watkins, Emily. “Girlfriends and Goddesses.” Plinth (July 7, 2017)

Walsh, Meeka and Robert Enright. “Lisa Yuskavage: Musings of an Edge-of-Towner.” Border Crossings (September 2017)

2016

Tobin, Emily. “Lifestyle: Promoting Change.” House and Garden (November 2016)

“Art Magazine Questions Censorship of Lisa Yuskavage Nude.” ABC (August 9, 2016)

Beall, Dickson. “The Brood: Lisa Yuskavage’s much talked about exhibit at the Contemporary Art Museum now on view.” West End Word (January 26, 2016)

Bryan Miller, Sarah. “Pushing Boundaries: Contemporary Art Museum exhibitions use chipboard, explosions to make their point.” St. Louis Post-Dispatch (January 17, 2016)

Fraiman, Jeff. “Lisa Yuskavage: The Brood.” The Brooklyn Rail (February 3, 2016)

Garcia, Laia. “The Lenny Interview: Lisa Yuskavage.” lennyletter.com (February 12, 2016)

Haas, Lidija. “Lisa Yuskavage: The Brood, Paintings 1991-2015.” Bookforum (December/January 2016)

Kale, Neha. “Lisa Yuskavage: Dancer in the Dark.” Vault (August, 2016)

Miranda, Carolina A. “9 Ways in Which Helen Molesworth’s Permanent Collection Show at MOCA is Upending the Story of Art.” Los Angeles Times (January 8, 2016)

Neuendorf, Henri. “Magazine Forced to Censor Cover of Lisa Yuskavage Nude.” Artnet News (August 9, 2016)

Rosenblatt, Pam. “On being bold: the Lisa Yuskavage: The Brood exhibition at Brandeis University’s the Rose Art Museum.” Wilderness House Literary Review (November 1, 2016)

R.P. “Review.” Modern Painters (Februaury 2016)

Williams, Sonya. “The Brood: Contrasting realities of woman.” The University News (February 25, 2016)

Yuskavage, Lisa. “Dennis Freedman.” Interview (March 2016)

Yuskavage, Lisa. “This is How Lisa Yuskavage Makes a Painting.” Artnet (May 4, 2016)

Yuskavage, Lisa. “My 10 Favorite Books: Lisa Yuskavage.” T Magazine (July 22, 2016)

2015

Semmel, Joan. “Joan Semmel on Lisa Yuskavage.” Painters on Paintings (September 9, 2015)

Bedford, Christopher. “Sightlines: Progeny.” Art in America (February 2015)

Bui, Phong. “Lisa Yuskavage.” The Brooklyn Rail (June 3, 2015)

Earnest, Jarrett. “In Conversation: Lisa Yuskavage on Nina Simone and Giovanni Bellini.” The Brooklyn Rail (February 2015)

Earnest, Jarrett. “Lisa Yuskavage: In the Studio.” Art in America (October 2015)

Edgers, Geoff. “A Solo Show for an Acclaimed Artist.” The Washington Post (September 25, 2015)

Gorashi, Hannah. “Lisa Yuskavage Joined Grindr to Prep for Her New Show of Rainbow Nudes.” i-D (April 28, 2015)

Grebremedhin, Thomas. “Good World to Be In: An Interview with Lisa Yuskavage.” The Paris Review (April 30, 2015)

Jordan, Eliza. “Men, Incubi, and Succubi Intertwine in Lisa Yuskavage’s New Show.” Whitewall (May 18, 2015)

Prickett, Sarah Nicole. “Critics’ Pick.” Artforum (May 1, 2015)

Schjeldahl, Peter. “Lisa Yuskavage.” New Yorker (May 18, 2015)

Smee, Sebastian. “Porn-inspired Art that Pulses with Intelligence.” The Boston Globe (September 17, 2015)

Smith, Roberta. “Review: Lisa Yuskavage at David Zwirner.” The New York Times (May 1, 2015)

Solondz, Todd. “Lisa Yuskavage [interview].” Interview (September 2015)

Steadman, Ryan. “Both Sides Now: Yuskavage Tackles the Other Sex.” Observer (May 29, 2015)

Viveros-Faunu00e9, Christian. “Lisa Yuskavage’s Brood of Luminous Filthy Figures Rocks the Rose Art Museum.” Artnet News (September 11, 2015)

West, Nancy Shohet. “New Exhibits Welcome Visitors at the Rose.” The Boston Globe (September 1, 2015)

2014

Viveros-Faunu00e9, Christian. “The 50 Most Exciting Artists of 2014.” artnet.com (December 29,u00a02014)

2013

Auchincloss, Emily. “Report from Boston, Fall 2013.” NY Arts Magazine (Fall 2013)

Januszczak, Waldemar. “Crazy for You.” The Sunday Times (May 5, 2013)

Lopez, Xavier. “Lisa Yuskavage – Upstaging Masculinity and Speaking With the Power of Pretty. Kristeva, Lacan and an Aside That Changes Everything.” blog.seattlepi.com (May 26, 2013)

The Approval Matrix. New York Magazine (October 28, 2013)

2012

Landi, Ann. “Double Exposure.” ARTnews (May 2012)

Lebowitz, Cathy. “Cathy Lebowitz interviews JA [Josefina Ayerza].” lacanian ink (no. 39 (Spring 2012))

Princenthal, Nancy. “Review: Lisa Yuskavage at David Zwirner.” Art in America (January 2012)

Schjeldahl, Peter. “Odd Twins: Lisa Yuskavage and Edouard Vuillard.” newyorker.com (June 4, 2012)

Heller, Sabine. “Purple Interview: Lisa Yuskavage.” Purple Fashion Magazine (Spring/Summer 2012)

Kleeblatt, Norman L. “Looking at Art: Seeing Double.” ARTnews (September 2012)

2011

“Nouveau Magazine Erotique.” Extra Extra (Issue No. 2)

de la Torre, Mu00f3nica. “Interview with Lisa Yuskavage.” BOMB Magazine (Fall 2011)

Indrisek, Scott. “Review: Lisa Yuskavage, David Zwirner.” Modern Painters (December 2011/January 2012)

Johnson, Ken. “Art in Review: Lisa Yuskavage, David Zwirner.” The New York Times (October 7, 2011)

Lindquist, Greg. “Review: Lisa Yuskavage, David Zwirner.” The Brooklyn Rail (November 2011)

Mollart, Sophie. “Lisa Yuskavage: Make a Wrong a Right.” planet-mag.com (October 10, 2011)

Murg, Stephanie. “In the Studio: Lisa Yuskavage.” Art+Auction (September 2011)

Nathan, Emily. “Lisa Yuskavage: Something Like Sirens.” artnet.com (October 5, 2011)

Schjeldahl, Peter. “The Year in Art: De Kooning Keeps Happening.” newyorker.com (December 29, 2011)

Scott, Andrea K. “Critic’s Notebook: Dangerous Beauty.” The New Yorker (October 24, 2011)

Viveros-Faunu00e9, Christian. “The Best Art Shows of 2011: Lisa Yuskavage, David Zwirner.” The Village Voice (December 28, 2011)

Wolin, Joseph R. “Review: Lisa Yuskavage, David Zwirner.” timeout.com/newyork (October 24, 2011)

Yuskavage, Lisa. “Muse: Jesse Murry, 1948-1993.” Art in America (October 2011)

““Lisa Yuskavage’s Playground of Earthly Delights.” huffingtonpost.com (October 25, 2011)

2010

Carlin, T.J. “Lisa Yuskavage: Studio Visit [interview].” timeout.com/newyork (May 24, 2010)

Sherwin, Skye. “Artist of the week 85: Lisa Yuskavage.” theguardian.com (April 28, 2010)

Sinclair, Charlotte. “Naked truth.” British Vogue (May 2010)

Zohn, Patricia. “Lisa Yuskavage: The Journey of an Art Star.” huffingtonpost.com (June 23,2010)

2009

Bui, Phong. “In Conversation: Lisa Yuskavage with Phong Bui.” The Brooklyn Rail (March 2009)

Carlin, T.J. “Review: Lisa Yuskavage, David Zwirner.” Time Out New York (March 12-18, 2009)

Coulter, Gerry. “Lisa Yuskavage.” Ctrl+P Journal of Contemporary Art (no. 15 October 2009)

Kley, Elisabeth. “Review: Lisa Yuskavage, David Zwirner.” ARTnews (June 2009)

Rosenberg, Karen. “Art in Review: Lisa Yuskavage, David Zwirner.” The New York Times (March 6, 2009)

“Francis Bacon.”

2008

“The Image Only Issue 2.” Empty (Issue 16, 2007)

Bodin, Claudia. “Die Meisterin des Obszönen.” art Das Kunstmagazin (January 2008)

2007

Butler, Cornelia and Amelia Jones. “Lisa Yuskavage: Critiquing Prurient Sexuality … or Disingenuously Peddling a Soft-Core Porn Aesthetic?” The Washington Post (April 22, 2007)

Enright, Robert. “The Overwhelmer: The Art of Lisa Yuskavage [interview].” Border Crossings (August 2007)

Heartney, Eleanor. “Review: Lisa Yuskavage at David Zwirner and Zwirner & Wirth.” Art in America (February 2007)

Herbert, Martin. “Review: Lisa Yuskavage, greengrassi.” Time Out London (October 17-23, 2007)

Karcher, Eva. “Jenseits von Hardcore.” Monopol (May 2007)

Neil, Jonathan T.D. “Lisa Yuskavage.” Art Review (January 2007)

Richard, Frances. “Review: Lisa Yuskavage, David Zwirner/Zwirner & Wirth.” Artforum (January 2007)

Schwabsky, Barry. “Review: Lisa Yuskavage, David Zwirner/Zwirner & Wirth.” Map (Spring 2007)

Schwendener, Martha. “Even in the Digital Age, a Strong Case for Printmaking.” nytimes.com (February 12, 2007)

2006

Belcove, Julie L. “Lisa’s Women [interview].” W Magazine (November 2006)

Kastner, Jeffrey. “Art in Review: Lisa Yuskavage, David Zwirner and Zwirner & Wirth.” The New York Times (November 10, 2006)

Kunitz, Daniel. “Take a Bite of Peach: Lisa Yuskavage.” Art Review (October 2006)

Lancaster, Jake. “Cultural Stimuli in NYC: Artwork by Lisa Yuskavage.” flavorpill.com (October 17-23, 2006)

Rosenberg, Karen. “An Afternoon in Chelsea.” New York Magazine (November 13, 2006)

Rousseau, Bryant. “Artist Walk: Lisa Yuskavage.” artinfo.com (October 26, 2006)

Schjeldahl, Peter. “Critic’s Notebook: Bombshells.” The New Yorker (November 2, 2006)

Scott, Andrea K. “Lisa Yuskavage: Flesh for fantasy [interview].” Time Out New York (October 19-25, 2006)

Wallis, Stephen. “Object of Desire.” Departures (March/April 2006)

Yuskavage, Lisa. “When in Rome.” Culture & Travel (September/October 2006)

u201cFall preview. “Strip shows.” Time Out New York (September 7-13, 2006)

2005

Prose, Francine. “Preemptive Strike: Lisa Yuskavage’s very weird women.” Modern Painters (March 2005)

2004

SITE Santa Fe. “Lisa Yuskavage.” Art+Auction (July 2004)

Higgie, Jennifer. “Women on the Verge.” frieze (October 2004)

Honigman, Ana Finel. “The good, the bad and the ugly.” Art Review (July/August 2004)

Kastner, Jeffrey. “Deviation Standard: Jeffrey Kastner on SITE Santa Fe.” Artforum (May 2004)

Landi, Ann. “Disturbing Beauty.” ARTnews (January 2004)

Ou2019Reilly, Sally. “Review: Lisa Yuskavage, greengrassi.” Time Out London (June 16-23, 2004)

Rosenberg, Karen. “Conversation: Lisa Yuskavage and Tamara Jenkins.” New York Magazine (November 22, 2004)

2003

Avgikos, Jan. “Review: Lisa Yuskavage, Marianne Boesky Gallery.” Artforum (September 2003)

Boucher, Brian. “Review: Lisa Yuskavage, Marianne Boesky Gallery.” Flash Art (October 2003)

Clem, Chivas. “Review: Lisa Yuskavage, Marianne Boesky Gallery.” Time Out New York (June 12-19, 2003)

Cohen, David. The New York Sun (June 19, 2003)

Horyn, Cathy. “Critic’s Notebook: Fashion and Art Embrace, if not Passionately.” The New York Times (August 5, 2003)

Johnson, Ken. “Art in Review: Lisa Yuskavage, Marianne Boesky Gallery.” The New York Times (June 20, 2003)

Mitchell, Claire. “What It Feels Like For A Girl.” Nylon (December 2003/January 2004)

Valdez, Sarah. “Naked Truths.” ARTnews (March 2003)

Yuskavage, Lisa. “To Philip Guston.” The Brooklyn Rail (November 2003)

“The Kate Moss Portfolio [photograph by Lisa Yuskavage].” W Magazine (September 2003)

“Lisa Yuskavage.”

“Lisa Yuskavage: new paintings.” The Art Newspaper (May 2003)

2002

Girst, Thomas. “Zurück zur Figur.” Su00fcddeutsche Zeitung (April 12, 2002)

Holmes, Pernilla. “The Royal Treatment.” Art+Auction (October 2002)

Koroxenidis, Alexandra. “Through the Eyes of Women.” Kathimerini Newspaper/Herald Tribune (July 29, 2002)

Tuttle, Richard. “Artists Curate: Cosmic Relief.” Artforum (February 2002)

2001

“Lisa Yuskavage Portfolio.” Zoo, London (June 2001)

Ellis, Bret Easton. American Psycho. Translated by Giuseppe Culiccia. “American Psycho.” Giulio Einaudi editore s.p.a., Torino (2001)

Chen, Aric. “Bust a Move.” New York Magazine (June 4, 2001)

Clifford, Christen. “Lisa Yuskavage.” Black & White Magazine (December 2001)

Combs, Whitney. “Balthus RIPs.” NY Arts Magazine (March 2001)

Fabianich, Eric. “Lisa Yuskavage.” NY Arts Magazine (February 2001)

Gardner, James. “Lisa Yuskavage.” New York Post (January 15, 2001)

Gilmore, Jonathan. “Review: Lisa Yuskavage, Marianne Boesky Gallery.” tema celeste (March/April 2001)

Glueck, Grace. “Art in Review: Naked Since 1950, C&M Arts.” The New York Times (November 30, 2001)

Gopnik, Blake. “Mr. President, Give Your House a New Look.” The Washington Post (January 21, 2001)

Jana, Reena. “Tees for Two.” ARTnews (September 2001)

Levin, Kim. “Tit for Tat: Painting as Cerebral Cheesecake.” The Village Voice (January 30, 2001)

Lotozo, Eils. “Essentials: Art.” The Philadelphia Inquirer (January 27, 2001)

Lovelace, Carey. “Lisa Yuskavage: Fleshed Out.” Art in America (July 2001)

Martiniu00e8re, Cu00e9cile. “Lisa Yuskavage: Toutes en rondeurs.” technikart.com (August 1, 2001)

Mathonnet, Philippe. “A Genève, trois artistes contemporains se rient des troubles de la perception.” Le Temps (June 5, 2001)

Newhall, Edith. “Lisa Yuskavage.” ARTnews (April 2001)

Schappell, Elissa. “Hot Type.” Vanity Fair (January 2001)

Schjeldahl, Peter. “Girls, Girls, Girls.” The New Yorker (January 15, 2001)

Schwabsky, Barry. “Review: Lisa Yuskavage, Institute of Contemporary Art/Marianne Boesky Gallery.” Artforum (April 2001)

Scott, Jane. “Bootylicious.” Oyster (October/November 2001)

Siegel, Katy. “Passages: Balthus Remembered; Katy Siegel talks with Lucian Freud, Lisa Yuskavage, David Salle, and John Currin.” Artforum (Summer 2001)

Smiley, Jane. “Just Like a Woman.” Harperu2019s Bazaar (January 2001)

Smith, Roberta. “Art in Review: A Painter Who Loads the Gun and Lets the Viewer Fire It.” The New York Times (January 12, 2001)

Summers, Francis. “Nicely Ordinary Nudity.” Sleazenation (June 2001)

Tep, Ratha. “Busty Babes.” 34th Street Magazine (January 25, 2001)

Thomas, Michael. “Egad! I Met Marc Rich, Long Ago in Switzerland.” New York Observer (February 15, 2001)

Vine, Richard. “Paint Strippers.” New York Magazine (January 2001)

Viveros-Faunu00e9, Christian. “Review: Lisa Yuskavage, Institute of Contemporary Art/Marianne Boesky Gallery.” New York Press (January 17-23, 2001)

Wasserman, Burton. “Duly noted: Three at ICA.” Art Matters (January 2001)

2000

Goodman, Wendy. “The Art of Living.” New York Magazine (November 6, 2000)

Kino, Carol. “Dealings with the Whitney Biennial.” Art+Auction (April 15, 2000)

Lee, Albert. “Behind the Curves.” Nerve (December 2000/January 2001)

Lotozo, Eils. “A Provocative Painter [interview].” The Philadelphia Inquirer (November 30, 2000)

Melada, Geoffrey W. “Blonde Ambition.” Philadelphia Magazine (December 2000)

Moreno, Gene. “High Noon in Desire County.” Art Papers (May/June 2000)

Rice, Robin. “Candy Land.” Philadelphia City Paper (December 14-21, 2000)

Saltz, Jerry. “My Sixth Sense.” The Village Voice (April 4, 2000)

Schjeldahl, Peter. “The Art World: Pragmatic Hedonism.” The New Yorker (April 3, 2000)

Seidel, Miriam. “Art Attack.” Philadelphia Magazine (September 2000)

Seidler, Rosa. “Shock of The Nude.” Elle (December 2000)

Shaw-Eagle, Joanna. “Corcoran Exhibit Is Varied Metaphor.” The Washington Times (December 9, 2000)

Siegel, Katy. “Blonde Ambition: The Art of Lisa Yuskavage.” Artforum (May 2000)

Smith, Roberta. “Critic’s Notebook: Portrait of the Artist as a Young Woman.” The New York Times (July 5, 2000)

Solomon, Deborah. “Art Girls Just Wanna Have Fun.” The New York Times Magazine (January 30, 2000)

Solomon, Deborah. “A Roll Call of Fresh Names and Faces.” The New York Times (April 16, 2000)

Sozanski, Edward J. “Film and Video Shine Brightest at This Year’s Whitney Biennial.” The Philadelphia Inquirer (March 26, 2000)

Sozanski, Edward J. “A Provocative Take on Female Sexuality.” The Philadelphia Inquirer (December 10, 2000)

“Faces of Art 2000.” Talk (March 2000)

“Artist’s Work Has Taken Her Far, but Is Planted in Her Juniata Roots.”

Fabbri, Anne R. “Not ‘Easel’ly Forgotten: Three Thought-Provoking Exhibitions open at ICA.” Philadelphia Daily News (December 8, 2000)

Fallon, Roberta. “The Body Shop.” Philadelphia Weekly (December 6, 2000)

Fowler, Maria. “A Walk on the Wild Side at the ICA.” King of Prussia Courier (December 27, 2000)

Gandee, Charles. “I Am Curious (Yellow).” Talk (April 2000)

1999

Arning, Bill. “The Nude in Contemporary Art: Body Politics.” Time Out New York (July 8-15, 1999)

Cohen, Michael. “Pittura a New York.” Flash Art (October/November 1999)

Decker, Andrew. “Art’s Next Wave.” Cigar Aficionado (March/April 1999)

Dietrich, Dorothea. “Working Proof.” Art on Paper (March/April 1999)

Dobrzynski, Judith H. “A Painter and Her Art Trade Places.” The New York Times (January 28, 1999)

Knight, Christopher. “Brush Strokes of Genius.” Robb Report (June 1999)

Licht, Matthew. “Titty as a Picture!” Juggs (March 1999)

Russo, Giuseppe. “Z la formica, la mongolfiera, il senso del mondo e l’arte contemporane.” tema celeste (March/April 1999)

Schwendener, Martha. “Review: Lisa Yuskavage, Marianne Boesky Gallery.” Flash Art (March/ April 1999)

“Lisa Yuskavage.” Bust (Fall 1999)

“Lisa Yuskavage.” Tank (April 1999)

“Lisa Yuskavage [artist portfolio].” Columbia: A Journal of Literature and Art (Winter 1999)

1998

Bevan, Roger. “Saatchi Shows More Young Americans.” Art+Auction (September/October 1998)

Burns, Anna. “Children and Sexuality in the Visual Arts.” Contemporary Visual Arts (Summer 1998)

Cotter, Holland. “Art in Review: Lisa Yuskavage, Marianne Boesky Gallery.” The New York Times (October 2, 1998)

Hayt, Elizabeth. “Evoking the Fitful Passage to Womanhood.” The New York Times (May 10, 1998)

Jones, Ronald. “The Best of 1998: Lisa Yuskavage, Marianne Boesky Gallery.” Artforum (December 1998)

Manami, Fujimori. “Lisa Yuskavage.” Bijutsu Techo (November 1998)

Schjeldahl, Peter. “Purple Nipple: Lisa Yuskavage, Marianne Boesky Gallery.” The Village Voice (September 29, 1998)

Siegel, Katy. “Review: Lisa Yuskavage, Marianne Boesky Gallery.” Artforum (November 1998)

Smith, Roberta. “Art in Review: The Risk of Existence, Phyllis Kind Gallery.” The New York Times (December 4, 1998)

Steinberg, Michael. “A New York Mosaic.” Modern Painters (Spring 1998)

Whitehead, Jayson. “The Paintings of Lisa Yuskavage [interview].” Gadfly (April 1998)

1997

Schwabsky, Barry. “Picturehood is Powerful.” Art in America (December 1997)

Vine, Richard. “Review: Lisa Yuskavage at Boesky & Callery.” Art in America (February 1997)

Wallach, Amei. “The Contemporary Collector’s Art.” The New York Times Magazine (October 26, 1997)

Wye, Pamela. “Desiring Machines and Exquisite Corpulence: Lisa Yuskavage’s Girlies.” Sulfur (Spring 1997)

“Working Proof.” Art on Paper (January/February 1997)

Clifford, Katie. “Review: Lisa Yuskavage at Boesky & Callery.” Art Papers (January/February 1997)

Condon, Elisabeth. “Review: Lisa Yuskavage, Boesky & Callery.” New Art Examiner (February 1997)

Frankel, David. “Review: The Name of the Place.” Artforum (May 1997)

Hill, Shawn. “Sex and Sensibility.” Bay Windows (January 16, 1997)

McQuaid, Cate. “Sexualized Salami.” The Boston Globe (January 2, 1997)

Pokorny, Sydney. “Review: Lisa Yuskavage, Boesky & Callery.” Artforum (February 1997)

Pollack, Barbara. “Interview with Lisa Yuskavage.” TeenMom (April 24, 1997)

Ritchie, Matthew. “Review: Lisa Yuskavage, Boesky & Callery.” Flash Art (March/April 1997)

Schjeldahl, Peter. “Painting Rules.” The Village Voice (September 30, 1997)

1996

Arning, Bill. “Review: Lisa Yuskavage, Boesky & Callery.” The Village Voice (October 29, 1996)

Boccella, Kathy. “Artist’s Voluptuous Paintings Are Big Attention-Getters.” Chicago Tribune (November 18, 1996)

Boccella, Kathy. “A Juniata Park Native Hits It Big On The Art Scene.” The Philadelphia Inquirer (November 6, 1996)

Brooks, Rosetta. “Lisa Yuskavage: Some Girls Do.” Art+Text (May 1996)

Cooper, Jacqueline. “Review: Lisa Yuskavage at Christopher Grimes.” New Art Examiner (March 1996)

Dalton, Jennifer. “Review: Lisa Yuskavage at Boesky & Callery.” Review (November 1, 1996)

Feldman, Hannah. “The Lolita Complex.” World Art (Summer 1996)

Joyce, Julie. “Review: Lisa Yuskavage at Christopher Grimes.” Art Issues (March/April 1996)

Kandel, Susan. “Review: Yuskavage’s Works Embark on a Psycho Sexual Adventure.” Los Angeles Times (January 15, 1996)

Kean, Amy. “In the Gallery.” New York Post (October 26, 1996)

Pall, Ellen. “The Do-It-Yourself Dealers.” The New York Times Magazine (September 1, 1996)

Plagens, Peter. “Lady Painters? Smile When You Say That.” Newsweek (September 30, 1996)

Saltz, Jerry. “Review: Lisa Yuskavage, Boesky & Callery.” Time Out New York (October 31 u2013 November 7, 1996)

Smith, Roberta. “Art in Review: Palettes Full of Ideas About What Painting Should Be; Lisa Yuskavage, Boesky & Callery.” The New York Times (November 1, 1996)

Zellen, Jody. “Review: Lisa Yuskavage, Christopher Grimes Gallery.” art press (April 1996)

“Portfolio: Lisa Yuskavage.” BOMB Magazine (Winter 1996)

1995

Connors, Thomas. “Review: Youth Culture Killed My Dog (but I don’t really mind).” New Art Examiner (September 1995)

Damianovic, Maia. “The Fantastic in Art.” tema celeste (Winter 1995)

Yuskavage, Lisa. “Interview: Chuck Close by Lisa Yuskavage.” BOMB Magazine (Summer 1995)

“Artist’s Page.” Frame-WORK (1995)

“Cadavre Exquis Revisited.” Manhattan File (May 1995)

1994

“Vulvamorphia.” Lusitania (1994, Vol. 6)

Cotter, Holland. “Art in Review: The Joys of Childhood Re-examined.” The New York Times (March 25, 1994)

Kandel, Susan. “Review: Visions of Seduction, Repulsion.” Los Angeles Times (June 9, 1994)

Knight, Christopher. “Review: A Bicoastal Flashback.” Los Angeles Times (February 18, 1994)

Relyea, Lane. “Review: Lisa Yuskavage, Christopher Grimes Gallery.” Artforum (November 1994)

Saltz, Jerry. “A Year in the Life: Tropic of Painting.” Art in America (October 1994)

Schwabsky, Barry. “The Sublime, the Beautiful, the Gender of Painting: Confessions of a Male Gaze.” New Art Examiner (April 1994)

Smith, Roberta. “Art in Review: Up the Establishment, Sonnabend Gallery.” The New York Times (June 3, 1994)

“Lisa Yuskavage.” Visionaire (Fall 1994)

1993

Hirsch, Faye. “Review: Lisa Yuskavage at Elizabeth Koury.” Art in America (June 1993)

Lloyd, Ann Wilson. “Where Are They Now [interview]?” Provincetown Arts (1993)

Schwabsky, Barry. “Review: Lisa Yuskavage, Elizabeth Koury.” Artforum (April 1993)

1992

Yuskavage, Lisa. “The Question of Gender in Art.” tema celeste (Autumn 1992)

1988

Fry, Patricia L. “Strictly Business: Grants for Artists.” The Artistu2019s Magazine (September 1988)

Watkins, Eileen. “Gladstone Exhibition Showcases ‘Realism’ with Interesting Results in Various Forms.” The Star Ledger (January 24, 1988)

1986

Campbell, Julie Freeman. “Fellows: 1986-1987.” Provincetown Arts (Fall 1986)